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Conception : Camille Mutel
Dance : Philippe Chosson, Camille Mutel
Singing : Isabelle Duthoit
Light design and stage managing : Phil Colin
Photography : Osamu Kanemura

Costumes : Eleonore Daniaud

Redaction : Ninon Steinhausser

 

 

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An excerpt from a T.S. Eliot poem, the title of Compagnie Li (luo)’s new creation suggests a desire that circulates between three performers onstage: invitation, temptation, inhibition, and initiation. Physically seized by the impossibility of mutual relationships, traversed by sound and objects, each one measures the effects that the situation has on their being-on-stage. This is what the performance works with and exposes. Present with the images of Osamu Kanemura, this scenic moment is delicately rooted in a unique “reality” of urban visions taken by the photographer - as a way to return nature to the heart of its real cultural substance.

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Production : Compagnie Li(luo)

Coproduction : Centre Culturel André Malraux - Scène nationale de Vandoeuvre les Nancy ; Scènes Vosges - Epinal

Accueil Studio : CCN Ballet de Lorraine

Residencies : Trois C-L Luxembourg ; CND Pantin ; Royaumont Abbaye & Fondation ; Centre Pompidou - Metz ; Césaré - Centre national de création musicale de Reims ; Centre Culturel André Malraux - Scène nationale de Vandoeuvre les Nancy ; Théâtre Sévelin 36 - Lausanne

Support : Conseil régional de Lorraine ; DRAC Lorraine ; Spedidam

Other Support : Institut Français - Programme Hors les Murs 2014  

 

 

GO, GO, GO, SAID THE BIRD

(HUMAIN KIND CANNOT BEAR VERY MUCH REALITY)

CREATION 2015

october 06th and 07th, Scènes Vosges- Epinal

© 2020 by compagnie Li (luo)

 

La compagnie bénéficie de l'aide au conventionnement 2018-2020 de la Région Grand Est et de l'aide à la structuration 2020-2021 de la DRAC Grand Est.

Aerowaves Twenty (2010), Villa Hors les murs (2014), Villa Kujoyama (2019), Writing aid for Fondation Beaumarchais – SACD (2019)